Blog, Conferences

Readers Studio: One Week Left

Today marks the final 7 day countdown until I board a plane headed to New York City and The Readers Studio. I’m excited, I’m nervous, and I’m so looking forward to seeing friends and meeting new ones and chatting tarot.

I hope to be posting daily updates from my room, at least I want to, but who knows how much fun the party will be. At the very least I’ll be using the twitter hashtag #RS11 to post quick updates to my twitter feed all weekend long so that you all can follow along.

Have I started packing? Nope. I have no idea how many bags I’m taking. I like to pack light, and I usually bring one bag for week-long excursions. However, after reading posts on the Readers Studio Ning group forum makes me wonder if I should pack a large suitcase. Part of me is tempted to go light on clothing (I can get by on two outfits, right?) and then save the rest of the space in my bag for the tarot goodies. I may also bring two carry-on bags, one full and one empty to serve as that purpose. I am bringing some of the crochet tarot bags I’ve been making as gifts and swaps.

Do I know which decks I’m taking? Yep! Again thanks to advice from the Ning group, I’ll be bringing my workhorse deck The Shadowscapes Tarot, the tried and true Universal Waite, and the Sun and Moon Tarot. A new one that I have yet to really play with and would like to take with me. If I really need more decks, I can probably find some there… right? *gryn*

Do I know what journal to take with me? Sorta. I’m torn between bringing a small moleskine notebook and bringing a larger paperback sized one. As a writer, this could be a very important decision and I DO like to take notes. I do have my birth chart as that’s needed for one class.

Other than that, the countdown starts and it’s time to get excited! Wooo!

Blog, Outings

Vending at Pagan Faire

This Saturday I’ll be vending at PDX Pagan Faire. I’ll have a sign up sheet for readings (half-hour and hour long sessions). I’m also bringing my entire stock of crocheted tarot cases, in many exciting colors. Come check out my reading nook, browse my stock of tarot 3-card spread cases, and deck slip cases. Give my bags a home! Looking forward to seeing you Portland.

For more info and see what other events are planned, check out the Pagan Faire website.

Blog, Classes

Thoughts on Inspiring the Muse

I spent 2.5 hours yesterday going through the attendees’ feedback from Inspiring the Muse. While I was happy to see everyone got a lot out of it, I believe there’s a lot of room for improvement, both in the content and as I learn to develop my speaking style. Mainly, I think I’m going to break apart the journalling and the creative storytelling parts so that they are featured as their own separate classes. Putting them together, while a good compliment, is just something that overwhelms beginning students in an hour or 90 minute time limit. Breaking up the two parts also gives me the flexibility to give attendees more time to spend doing the work, which consists of writing down their thoughts.

Usually when I teach this class, I have a whole morning (2 hours or more), or a whole day (up to 8 hours), to carefully go through the material. My students are given ample time to dive deep into each exercise and properly share and provide feedback on each other’s ideas. Going into PantheaCon, I thought that if I went over both parts of this course, and gave them less time to write, that it would also give them less time to putter around or feel “stuck” in their heads. I like quick brainstorm ideas because the inner editor does not have time to pipe up and spew the negative vitriol that tells us we can’t do something. This quick-fire brainstorm technique primes the pump and shows students how creative they can be in short amounts of time.

I hope that students of this course went home to experiment with what I gave them in longer spurts. If you’re an alumni of Inspiring the Muse and have done the exercises in your own time, please share. I’m always interested in hearing feedback.

Blog, Conferences

Big News: Attending The Readers Studio

I have a big announcement. I’ll be attending The Tarot School’s The Readers Studio this April. Kender and I talked about it and we’ve decided that this event is something I should attend this year. I’m not presenting any workshops but I should be available for discussion and tarot readings. I’ve booked my airplane tickets and hotel room and will be paying for my registration when the tax funds come in.

After lusting over this workshop and wanting to be able to attend this class, it’s a great opportunity for me to attend an East Coast convention and to meet my instructors Wald and Ruth Ann Amberstone; along with other tarot luminaries. If you haven’t noticed yet, but I’m rather excited about this opportunity and have been *squeeing* all week.

Blog, Decks, Reviews

Review: Konxari Cards

Konxari Cards
IRM Foundation, 2009
Rating: 3.5 out of 5

Konxari (pronounced kon-zar-ee) Cards is a new spirit-focused divination deck, created by the IRM Foundation and featuring the photography of Paul Michael Kane. The idea is that you take the deck with you to a spooky location, shuffle and let the spirits relay messages to you through the cards. An updated version of the ouija board, the cards use photographs, words, and symbols to give you many ways to connect with spirits. The publishers of the deck claim that Konxari has roots in ancient Egypt and that it, along with tarot cards, have come from this era. Erroneous information aside (as far as the tarot goes), my curiosity got the best of me and I had to check this deck out.

The deck of 88 cards comes in a long rectangular box. The whole package of box, book and 44-cards sitting next to one another, gives the impression that this deck is more entertainment designed than to be used as a true spiritual tool. The cards themselves measure two by three inches and are printed on a light-weight card-stock with a semi-glossy coating. Their size, along with the glossy coating, makes the cards hard to shuffle when stacked together. Each card features a image, a title, a symbol (or color spot), and a letter (or number). Some cars are printed in a landscape rotation. The instruction booklet has 32 pages and contains “Quick” and “Expanded” rules for using the cards. It also provides meanings to some of the cards; symbol definitions; and includes two alternative spreads to use with the cards when you are not out searching for ghosts.

My partner and I put the Konxari Cards to the test at Samhain. We followed the rules of the booklet (“never play Konxari cards alone”) and we sat in a darkened room of our home. We hoped that the cards would connect with something and relay a message that we’d understand. We shuffled the cards and laid them out according to the main layout found inside the booklet. We removed four cards and were left with eight remaining cards: hiding, attic, door, prophesy, thermal, suffering, aura and shadow. The images and words caught our eyes and from this we figured that the impressions came from something we call “the house fae”. There is a closet on our first floor that tends to be popular with our cats. They’re always running in and out, as if they’re chasing something into that space. We also tend to use the space as our “attic” in that we store boxes, and decorations in it. Therefore the first few cards seemed to align with our experiences. Since the booklet also recommends playing with the cards and rearranging them to spell out words (remember, each card has letters on it) we shifted the cards around so they spelled words or phrases. We came up with Requim B6 (or 6B), and Be Quirm 6. Neither seemed important or seemed meaningful.

As I do with my tarot decks, I asked the Konxari Cards if they had anything to share about themselves. I drew the moon card for my first question, “What can I learn from you?” This card suggests using Konxari Cards could help expose or draw us closer to the mysteries we commonly associate with the moon: magick, death, and nature itself. I drew the Mirror card for my second question, “What is your speciality?” Here, the card represents the deck’s desire to show us reflections of the spirit world as they mirror or our lives and pasts. It is also said that mirrors are a portal to other realms and that this deck could be seen as a portal for contacting those realms. Finally, I drew the Hallway card for my final question of, “How does your personality differ from other decks?” The Eye of Horus drawn on this card suggests that the deck give “the dead the ability to see again”— a trait that other decks do not address.

Konxari Cards offer a new and portable tool to reach out and connect with the dead. If you’re a ghost hunter looking for a compact spirit communication tool to add to your arsenal then give these cards a shot. I also recommend Konxari Cards to the divination curious and would like to uncover a new type of cartomancy. To learn more about Konxari cards, visit www.konxari.com. The site contains the deck’s history, descriptions of the cards, and some videos of the cards in use and creative direction.